Inside | Outside
2018
77x110cm
charcoal on paper
In this pieces, form and void intertwine in a delicate tension, as if wrestling for precedence. A solid black contour defines a structure — part shelter, part fracture — suggesting both the act of construction and collapse. The shape, angular and uncertain, evokes the blueprint of an impossible dwelling, an architecture where walls become thresholds and boundaries dissolve into open questions.
The charcoal marks, smoky and unsettled, resist the certainty of the black lines. They speak of erosion, memory, and impermanence — a reminder that no space, however rigidly outlined, can fully contain the forces that act upon it. The ground itself, smudged and imperfect, feels alive, breathing through the surface like a restless earth.
There is a quiet violence here: the gesture of enclosing space, of carving out an interior, is shadowed by its opposite — the inevitability of dissolution, of escape. Inside and outside, volume and emptiness, belonging and exile: the work hovers in that unstable zone where definitions falter.
In this drawings, the "home" is no longer a stable refuge. It becomes a flickering mirage on the horizon of thought — a place to be sought, questioned, and perhaps, ultimately, left behind.
There is a quiet violence here: the gesture of enclosing space, of carving out an interior, is shadowed by its opposite — the inevitability of dissolution, of escape. Inside and outside, volume and emptiness, belonging and exile: the work hovers in that unstable zone where definitions falter.
In this drawings, the "home" is no longer a stable refuge. It becomes a flickering mirage on the horizon of thought — a place to be sought, questioned, and perhaps, ultimately, left behind.